Over the next months, I’ll be up-dating the shop with new merchandise while adding to the gallery some of the more interesting commissions I’ve completed recently.
Check out the brutal animation for KMFDM’s , Hell Yeah album here.
I have also recently completed the artwork for Omicron, a forthcoming album-book by Nowhere Nation which was a real style departure for me. Keep checking back here for updates or join my Fan Page on Facebook for upcoming samples.
Please subscribe to the blog for the latest updates and merchandise and feel free to contact me with your commission requests.
KMFDM has forged its own singular path over the course of 38+ years, continuously refining and redefining the parameters of modern music, while also never missing the opportunity to address the social and political zeitgeist in brazen, belligerent, and boisterous fashion. HYËNA marks the 22nd studio album from the Ultra Heavy Beat, and what title could be more appropriate as the band laughs mockingly at the frayed and frantic state of world affairs? Driven by the vicious and virulent vocal onslaught of founder Sascha “Käpt’n K” Konietzko and Lucia Cifarelli, the aural and angular guitar wizardry of Andee Blacksugar, and the forceful percussive thrust of Andy Selway, HYËNA blasts through the speakers with the force of a napalm airstrike. From the hip-thrusting rock & roll swagger of “BLACK HOLE,” the in-your-face industrial/rock of “LIQUOR FISH & CIGARETTES,” and the funky hip-hop overtones of “ROCK’N’ROLL MONSTER,” to the punky thrash metal fury of “BLINDFACE,” the sardonic blackgrass whimsy of “DELUDED DESPERATE DANGEROUS & DUMB,” and the irresistibly danceable electro of “HYËNA” – KMFDM remains as vital as ever, never afraid to assimilate any musical style, all the while keeping the lyrical talons sharpened and poised to strike against any and all injustice. Several members of the KMFDM family return to leave their indelible marks on HYËNA, like guitarist Jules Hodgson, rapper Andrew “Ocelot” Lindsley, and Bruce Breckenfeld on the Hammond B3. On top of that, Sissy Misfit appears to add a decidedly venomous digital hardcore flavor to “ALL WRONG – BUT ALRIGHT,” leaving Kumar Bent to close us out with the familiar yet fresh dub take on a KMFDM classic on “IN DUB WE TRUST.” HYËNA is a maniacal laugh in the face of maniacs who assume control, desperately trying to convince you that what you see, what you hear, what you read is not real – don’t you believe it! Nearly four decades on, KMFDM continues to keep it real for you as HYËNA proves to be among the group’s leanest and meanest efforts, feeding fuel to the fury! HYËNA MEDIA AND MERCH AVAILABLE NOW!
After 35 years and countless attempts to get it published (OK, six), I am proud to be able to finally offer this iconic slab of pulp fiction to the public.
Originally, we hoped to publish it with Titan Books but, due to a disagreement about the content, they passed on the proposal and co-author and -creator, Malcolm Bennett, sadly died while we were still in negotiations. After another year of stalled plans, we were finally approached by Eyewear Press who promised us complete artistic control and final edit and the result is now available online.
Please, share the link to get BRUTE! recognised as the cultural landmark it is. Buy it!
Over the last few decades since the publication of the Sphere paperback, we have attempted to find a new publisher to reprint the stories from my BRUTE! magazine into one volume. After being turned down by several companies, we have secured the services of Eyewear Press and I’m proud to announce that the book will be on the shelves in May 2020. Featuring all the stories from the seven BRUTE! pulp magazines and the paperback plus the short stories from Blitz and BIKE magazines, this is a comprehensive collection that includes several never before published yarns and illustrations.
To pre-order your copy, please click the link HERE:
A couple of years ago, I was asked by Nowhere Nation to produce a number of illustrations to compliment the music in their latest album, Omicron and now the album has finally been released.
Check out the animated vector art and album here.
My illustration for the band has been gestating since I first signed on for the project over 5 years ago in which time several obstacles had to be overcome before its release. However, the band re-contacted me to renew communication after they invited me to see their show in Prague last year and the artwork proper began in earnest.
I suggested in my initial briefing with the band’s Robert Del Naja that a Jack Kirby-style cover would suit the nature of the release and I came up with a number of concepts before the idea of a super-powered Mad Professor blasting away at a horde of giant insects (referencing the Colorado beetle cover on the cover of their 1998 Mezzanine album) struck a chord and was completed in a couple of weeks.
Album available here: https://massiveattack.lnk.to/MadProfVinyl
I have recently been commissioned by a client to embark on a series of portraits of his favourite musicians, the second of which is this handsome portrait of Laibach front man, Milan Fras.
Anyone interested in posters or prints of this epic illustration, please message me here or contact me at bruteprop@gmail.com for ordering details.
Final artwork. Inked by hand and colored in Adobe Illustrator
For the their new album, Paradise, KMFDM supremo, Sasha Konietsko, wanted an artwork that would inspire hope in a world torn apart by tribal rivalries and hatred. As both of us are family men, it seemed appropriate to create an image that would illustrate our state of mind concerning the future of our children and immediately this post-apocalyptic scene popped into my head. Hold them close, teach them well and maybe their generation can accomplish that which we did not.
Sketch one based on an idea by Sascha Konietsko. I originally saw it as a Mad Max-meets-Social Realism propaganda piece but, as the backstory to the scenario grew in my mind, I could see it becoming something more meaningful.
Secondary sketch. Still with the message of hope I wished to create fresh in my mind, I replaced the corny heroism for a quieter dynamic and tried to capture the relationship between father and daughter.
Third sketch. I decided to use a reverse symmetrical angle of the father and daughter to indicate the connection between this scenario and my earlier artwork for KMFDM’s Salvation album in which a young warrior rescues an unconscious woman from the ruins of a destroyed city.
In this initial pencil sketch, the main character had a bow, a knife and a pistol. These were all subsequently removed when Sascha and I agreed that they should be entering the future without weapons.
One of a series of alternative colour and background combinations. The sky in this version was considered too busy and replaced in the final illustration by a huge sun.
This image from the album, Salvation, ties in with the one from the Paradise cover in that the woman the young warrior rescues from the ruined city is the mother of his daughter in the new illustration
There are a number of positive aspects to my work as a portrait artist. One, I don’t have to come up with a narrative or conceptual roughs for the illustration. Two, I work from an available media source (the photos). Three, there’s no management committee putting their ten-pennorth in and extending the job schedule with endless re-edits and Four, I get to reach an audience who might normally never get to own one of my more expensive pieces.
Prices for portraits start at 650 (655 USD) per face. For specific backgrounds and/ or props, an extra fee will be added.
Final file is delivered in vector format for maximum print size scalability.
For details on how to commission your own portrait, please contact me at bruteprop@gmail.com
A couple of years ago, I was asked by Nowhere Nation to produce a number of illustrations to compliment the music in their latest album, Omicron and now the album has finally been released.
