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After 35 years and countless attempts to get it published (OK, six), I am proud to be able to finally offer this iconic slab of pulp fiction to the public.
Originally, we hoped to publish it with Titan Books but, due to a disagreement about the content, they passed on the proposal and co-author and -creator, Malcolm Bennet, sadly died while we were still in negotiations. After another year of stalled plans, we were finally approached by Eyewear Press who promised us complete artistic control and final edit (thanks, guys!) and the result is now available online.
Please, share the link to get BRUTE! recognised as the cultural landmark it is. Buy it!
Over the last few decades since the publication of the Sphere paperback, we have attempted to find a new publisher to reprint the stories from my BRUTE! magazine into one volume. After being turned down by several companies, we have secured the services of Eyewear Press and I’m proud to announce that the book will be on the shelves in May 2020. Featuring all the stories from the seven BRUTE! pulp magazines and the paperback plus the short stories from Blitz and BIKE magazines, this is a comprehensive collection that includes several never before published yarns and illustrations.
To pre-order your copy, please click the link HERE:
I have recently been commissioned by a client to embark on a series of portraits of his favourite musicians, the second of which is this handsome portrait of Laibach front man, Milan Fras.
Anyone interested in posters or prints of this epic illustration, please message me here or contact me at email@example.com for ordering details.
For the their new album, Paradise, KMFDM supremo, Sasha Konietsko, wanted an artwork that would inspire hope in a world torn apart by tribal rivalries and hatred. As both of us are family men, it seemed appropriate to create an image that would illustrate our state of mind concerning the future of our children and immediately this post-apocalyptic scene popped into my head. Hold them close, teach them well and maybe their generation can accomplish that which we did not.
Last month, I was invited to provide live art for KPMG’s annual executive breakfast, here in the Czech Republic.
Over the weekend prior to the event, I sketched out a number of concepts based around the managing partner’s speech which were to be hand-inked during his presentation on the day.
Using wide-nib calligraphy markers and Sharpie paint pens, I had two hours to complete four posters mounted on A1 boards placed strategically around the conference room.
Working as a freelance artist can get real lonely at times so it’s nice to un-cap the old nib in public every once in a while.
Thanks to everyone at KPMG Prague for their support and encouraging commentary during the show.
We here at BRUTE! Propaganda are always on the look-out for quality merchandise with which to adorn our images so it’s a pleasure to team up with a company that specialises in robust paraphernalia. Over at barproducts.com, they’ve produced a stunning series of BRUTE! bottle openers that will be the talking point of any BBQ, wake or parents-teachers meeting.
Buy them separately or as a set at their web shop now!
I was asked by old friend and rare dance music enthusiast, Ian Dewhirst, to create the cover artwork for their CD collection of dance classics from Chicago’s legendary Trax Records back catalogue. I agreed and spent the next week roughing out several concepts before settling on the one above.
When plotting out a character’s lines, I want to make as much impact from the lighting as possible and so, to ensure maximum flexibility, I built the DJ first in 3D so I could experiment with multiple set-ups.
On finding the right angle, I printed out the 3D face and then inked it in by hand before scanning it back into Illustrator for the final vector re-drawing.
As part of their promotional campaign for their upcoming tour, industrial group KMFDM commissioned me to come up with something appropriate.
Inspired by WW1 armoured mini tanks and modern anti-riot vehicles, I set about creating a hybrid more suited to the band’s image than the traditional tour bus. After creating a collage of elements in Photoshop, I then warped and re-shaped the chassis before re-drawing the finished product in ink. Final artwork layers composed in Illustrator.