Doodle from 1993


Way back in 1993, I was in Chicago, art directing the KMFDM animation ‘Drug Against War‘ at C-Pop studios. In one room, the techies slogged (doing the animation tweening and compositing) and, in another, much sweatier room, I worked night and day with the cel animation team or ‘inkies’, as we called ourselves.
To keep spirits and morale up, the team and I engaged in Art Wars: denigratory and derogatory cartoons aimed at humiliating the other animators. Pretty soon, we had a huge wall covered with these gems and I am proud to present, courtesy of ace draughtsman, Peter Moriarty (who also worked with me on ‘Sonofagun’ and the ZPC: No Flesh Shall Be Spared game for Zombie Interactive), one of the best.
In between our punishing 36-hour shifts, the team shared a love of pool which we indulged in in bars such as McNeill’s and Hoilday in the city’s Wicker Park area.
Here is one of the crowing cartoons I posted one day after a typical trouncing on the green baize.

KMFDM rough art from Tohuvabohu


Tohuvabohu Swordgirl rough 01


Tohuvabohu album cover concept rough sheet


Tohuvabohu swordgirl figure concept sheet

I‘m often asked how much preparatory work goes into each album cover I do and this series of rough conceptual work goes some way in illustrating how the final design comes about.
3 months before the final artwork was completed, I started outlining the various ideas I had for the sleeve and a slew of pictures emerged from the process which Sascha and I discussed before I began to build the final image.
Now, I am able to present these images for sale. Anyone interested, please leave your contact details in the comments box below or contact me via our Gmail account bruteprop@gmail.com and I’ll provide prices and size details.
All the above are rendered in black indian ink and signed.

Stay in touch for more KMFDM concept sketches

KMFDM Animation Frames Unearthed


A fan recently sent me two frames from the KMFDM animation ‘Drug Against War’ which I worked on with H-Gun Studios in Chicago, circa 1993. The top one is a three cel composite (additional inking by Pete Moriarty) while the one below is the basic illustration which was later coloured in Photoshop and animated in Director.

Special thanks to the Bert Bosman collection.

View the video here

Art and Ideas by Aidan Hughes